Giulio Cesare has sold out and tickets are available by returns only. You may also enjoy this summer’s other Handel production – Saul
David McVicar’s much-loved production makes a triumphant return.
This legendary production is a Glyndebourne classic – a visually striking, brilliantly choreographed response to one of Handel’s finest scores.
When Egypt’s seductive queen meets Rome’s powerful ruler, the stakes are high, both for politics and passion. Horrified by the brutal murder of his rival by Cleopatra’s brother Tolomeo, Cesare joins forces with Cleopatra to depose her unscrupulous sibling. But is their alliance one of love, lust or just mutual ambition?
Power, revenge and romance
Bollywood meets baroque in David McVicar’s legendary production – a Glyndebourne classic that brings all-singing, all-dancing energy to one of Handel’s greatest scores. Sumptuous designs that nod to Britain’s colonial history transform a tale of political intrigue into a dazzling spectacle, sweeping the audience up in its tangled web of power, revenge and romance.
The resourceful, complicated Cleopatra and smooth statesman Cesare are two of Handel’s most fascinating creations – characters whose music, by turns heart-breaking and ecstatic, includes so many of the composer’s finest arias. Charting a course from comedy to near-tragedy and back again, this is an opera whose pace never lets up.
This revival reunites many of the original team behind this spectacular production, including conductor William Christie and Sarah Connolly, who makes a triumphant return in the title role.
A revival of the Festival 2005 production. Sung in Italian with English supertitles.
Enhance your experience
Insider talk – Giulio Cesare: Inside an orchestra with the OAE
Sunday 15 July, 1.45pm – 2.30pm, £9
Insider talks gives you a behind the-scenes glimpse in to the workings of Glyndebourne – find out more
Giulio Cesare is supported by Dunard Fund
Cast and creative team
William Christie (10, 15, 23, 29 June; 6 July)
Jonathan Cohen (10, 13, 15, 20, 24, 28 July)
Director David McVicar
Set Designer Robert Jones
Costume Designer Brigitte Reiffenstuel
Lighting Designer Paule Constable
Choreographer Andrew George
Fight Director Mark Ruddick
Orchestra of the Age of Enlightenment
Leader Matthew Truscott
On-stage violinist Michael Gurevich
Harpsichord continuos Florian Carré, Ashok Gupta
Cello continuo Luise Buchberger
Bass continuo Cecelia Bruggemeyer
Theorbo continuo David Miller
The Glyndebourne Chorus
Chorus Master Nicholas Jenkins
Assistant Conductor David Bates
Music Preparation Florian Carré, Ashok Gupta
Language Coach Isabella Radcliffe
Assistant Director Greg Eldridge
Staff Director Morgan Richards
Assistant to the Choreographer Colm Seery
Supertitles Amanda Holden
Giulio Cesare Sarah Connolly
Curio Harry Thatcher*
Cornelia Patricia Bardon
Sesto Anna Stéphany
Cleopatra Joélle Harvey
Nireno Kangmin Justin Kim
Tolomeo Christophe Dumaux
Achilla John Moore
Actors Agur Arrien, Alistair Beattie, Trevor Goldstein, Nicholas Keegan, Sirena Tocco, Addis Williams
* Soloist from The Glyndebourne Chorus
Dates and times
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Performance schedule Gardens Performance Transport Date Open Start Short interval *Long interval Finish Train departs Victoria Post opera coach Sunday 10 June
1.00 2.45 4.20 5.45 8.25 11.46 8.55 Friday 15 June 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Wednesday 20 June 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Saturday 23 June 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Friday 29 June 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Friday 6 July 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Tuesday 10 July <30 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Friday 13 July 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Sunday 15 July 1.00 2.45 4.20 5.45 8.25 11.46 8.55 Friday 20 July 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Tuesday 24 July 2.00 4.05 5.40 7.05 9.45 12.46 10.15 Saturday 28 July 2.00 4.05 5.40 7.05 9.45 12.46 10.15
<30 Glyndebourne Under 30s performance
Dining and ticket option available
*Long dining interval
Our long dining interval lasts for 90 minutes
The action is based on the historical events of the Roman civil war of 48–47 BC. Julius Caesar has defeated his rival Pompey and pursued him to Alexandria, capital of Egypt. The kingdom is ruled jointly by Cleopatra and her younger brother Ptolemy (Tolomeo), the last of the dynasty established in Egypt after its conquest by Alexander the Great. Pompey has appealed to Tolomeo for arms and refuge.
Cesare enters Alexandria with his general Curio and his army to be met by Cornelia and Sesto, the wife and son of Pompey, who have come to sue for peace. Cesare agrees to embrace his enemy, but at that moment Tolomeo’s general Achilla arrives with a greeting and gift from his king: Pompey’s severed head. Disgusted Cesare sends Achilla back with an angry message for Tolomeo and a threatening promise that he will meet with the king at his palace before nightfall. Cornelia laments her loss and Sesto swears to avenge his dead father. In the palace at Alexandria, Cleopatra plots to take sole possession of the throne. When she learns of Tolomeo’s betrayal of Pompey from his servant Nireno, she resolves to visit Cesare’s camp and win his favour and aid. She and Tolomeo bicker before she steals away. Achilla tells Tolomeo of Cesare’s angry reception of his gift and offers to accomplish his murder if Tolomeo grants him Cornelia as a reward. Tolomeo fears the growing strength of Rome under the leadership of Cesare and agrees. At the camp, Cesare presides over Pompey’s funeral rites. In disguise, Cleopatra presents herself to Cesare as Lidia, a handmaiden in the palace, but one of noble birth, robbed of her birthright by Tolomeo. Captivated, Cesare promises to help her. Cleopatra and Nireno watch as Cornelia pays her last respects to her dead husband. Cornelia and Sesto plan to kill Tolomeo. Cleopatra comes forward and, though still disguised as Lidia, pledges the support of the Queen of Egypt, offering them the services of Nireno as a guide into the palace. Cesare meets with Tolomeo in an interview of frosty diplomacy. Nevertheless, he cautiously accepts the king’s invitation of hospitality. Cornelia and Sesto confront Tolomeo. He is struck by Cornelia’s beauty, but when Sesto challenges him to combat, he orders their imprisonment. Achilla offers Cornelia her freedom in return for her favours, but she angrily refuses. She and Sesto bid each other a sad farewell before the guards separate them.
In the palace, with Nireno’s help Cleopatra has arranged an entertainment calculated to ensnare further the interest of Cesare. Lured by Nireno, he duly arrives and is enchanted by her song. Nireno assures him that the supposed Lidia is deeply attracted and will wait for him later that night in her apartment. Cornelia, now Tolomeo’s prisoner, laments her fate. She repulses Achilla once more, only to be met by the advances of Tolomeo himself. She resolves to take her own life, but is saved by Sesto who has escaped with the aid of Nireno, who also brings the news that Tolomeo has commanded she become one of his concubines. He will help to smuggle Sesto into the harem as well, where, unguarded, the king will be at his most vulnerable. In her apartment, Cleopatra waits for Cesare, pretending to be asleep when he enters. The lovers’ tryst is interrupted by Curio, who has overheard Achilla’s assassin searching the palace for Cesare. Cleopatra reveals her true identity to Cesare and begs him to fly to safety. Cesare refuses and goes to meet his enemy. Cleopatra prays to the gods to preserve him and the love she now truly feels for him.
Tolomeo, secure in his harem, lays aside his arms. He throws a white veil to Cornelia in token that she is to be his that night. Sesto steals in and tries to use Tolomeo’s sword to kill him but is disarmed by Achilla. He summons the king to war; Cesare is believed to have plunged to his death in the harbour during the previous night’s assault, but Cleopatra has fled to the Roman camp and has there mustered an army to march on the palace. Tolomeo prepares to lead his troops, but refuses Achilla the promised reward for Cesare’s death; Cornelia is to be his own prize. A furious Achilla decides to switch his allegiance to Cleopatra. In the ensuing battle, Tolomeo’s troops are victorious and Cleopatra is taken prisoner. Her brother promises to take a terrible revenge but she faces death with courage. Cesare, though, is not dead; the sea has cast him up onto the shore. Far from his armies, he prays to the breezes for help. Sesto and Nireno stumble across the wounded Achilla dying on the beach. Overheard by Cesare, he gives Sesto a seal, the sight of which will give the bearer authority to command his troops. As Achilla dies, Cesare takes the seal from Sesto and goes to assemble a force to storm the palace. Sesto finds new hope. Revenge will soon be his. In prison, Cleopatra has prepared to take her own life. Cesare breaks in with his troops and rescues her. He sends her to the port to rally her armies and leaves to wage war
on Tolomeo. Cleopatra rejoices. Believing himself to be victorious, Tolomeo sees no obstacle to his pursuit of Cornelia, but Sesto at last seizes his chance and kills him. The battle has been won and Cesare crowns Cleopatra as sole Queen of Egypt. She declares her allegiance to the Roman Empire. The lovers sing and all welcome the arrival of peace.