22 May – 16 July 2022

Le nozze di Figaro

‘If you want to dance, Count, I’ll play the tune’. One wedding; one marriage on the rocks; one scheme; one day.

About the opera

‘If you want to dance, Count, I’ll play the tune’

One wedding; one marriage on the rocks; one scheme; one day.

When a womanising aristocrat tries to seduce his valet’s pretty young fiancée, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched, promises made (and broken) and disguises donned, as Mozart’s ‘mad day’ unfolds.

A revolutionary comedy in every sense, Mozart and Da Ponte’s adaptation of Beaumarchais’ banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling, fallible and all too familiar personalities.

Director Michael Grandage updates the action to the dying days of Spain’s Franco regime in his 2012 production. Giancarlo Andretta and Nicholas Carter conduct.

A revival of the Festival 2012 production. Sung in Italian with English supertitles



Creative team

Conductors
Giancarlo Andretta
Nicholas Carter (26, 30 June; 7, 10, 13, 16 July)

Director
Michael Grandage

Revival Director
Ian Rutherford

Designer
Christopher Oram

Movement Director
Ben Wright

Revival Movement Director
Kieran Sheehan

Lighting Designer
Paule Constable

London Philharmonic Orchestra
Leader
Pieter Schoeman

Fortepiano Continuo
Sergey Rybin

The Glyndebourne Chorus
Chorus Director
Aidan Oliver

Assistant Conductor
Tim Anderson

Music Preparation
Charlotte Forrest
Edward Reeve
Sergey Rybin

Language Coach
Marco Canepa

Staff Director
Rebecca Marine

Supertitles
Steven Gietzen

Cast

Figaro
Brandon Cedel

Susanna
Hera Hyesang Park 

Bartolo
Peter Kálmán

Marcellina
Rosie Aldridge 

Cherubino
Emily Pogorelc
Ida Ränzlöv (7, 10, 13, 16 July)

Don Basilio
François Piolino

Count Almaviva
Germán Olvera

Countess Almaviva
Amanda Woodbury
Nardus Williams (10, 13, 16 July)

Antonio
Nicholas Folwell

Don Curzio
Colin Judson

Barbarina
Charlotte Bowden*+

First Bridesmaid
Cleo Lee-McGowan*+

Second Bridesmaid
Elizabeth Lynch*

* Soloist from The Glyndebourne Chorus
+ Jerwood Young Artist 2022

Photos: Alastair Muir

Synopsis

Act I

Susanna tries on a wedding bonnet, whilst her fiancé Figaro measures the room in the castle given to them by the Count. She points out its dangerous proximity to the Count, reminding Figaro of the droit de seigneur, the ancient feudal right of masters to dally with their maiden servants. Figaro vows to thwart him.

Figaro’s old enemy Bartolo and Bartolo’s former servant Marcellina enter with a marriage contract between Marcellina and Figaro, which they intend to enforce.

The page Cherubino enters, protesting about being sent away to the army because the Count found him dallying with the gardener’s daughter Barbarina. When the Count approaches, he hides.

The Count romances Susanna. Her singing teacher Basilio arrives, forcing the Count to hide. When the Count comes out of hiding, he discovers the hidden Cherubino.

Figaro arrives with a group of peasants praising the Count for abolishing the droit de seigneur. The Count sends Cherubino off to join his regiment.

Act II

The Countess laments her husband’s neglect. Susanna tells her of his designs on her, and of Figaro’s plan to send a cross- dressed Cherubino to meet the Count instead of her. Cherubino arrives to prepare for his ‘tryst’ with the Count, but the Count’s arrival forces him to hide in the closet. Susanna returns unobserved and hides.

The Count, told that Susanna is hiding in the closet, demands that she emerge. He goes to fetch tools to open the door, taking the Countess with him. Susanna releases Cherubino, who escapes through the window while she enters the closet. Returning with her husband, the Countess confesses that Cherubino is inside. Both are nonplussed when Susanna emerges.

Figaro arrives. The gardener Antonio enters complaining about someone jumping from the window; Figaro claims it was him. The Count is relieved when Bartolo, Marcellina and Basilio enter demanding that Figaro marry Marcellina or repay his debt.

Act III

The Count pursues Susanna. She agrees to a rendezvous, but the Count then overhears her plotting with Figaro.

Alone, the Countess ponders her unhappy marriage. Meanwhile, Marcellina has won the court case on her marriage contract. Figaro confesses that he was born into a respectable family and requires his parents’ consent. In his description of his history, Marcellina recognises Figaro as her long- lost son; Bartolo is his father.

Susanna and the Countess write to the Count inviting him to the rendezvous; a pin must be returned as acknowledgement. A group of peasant girls arrives offering flowers to the Countess, with the disguised Cherubino among them. Barbarina forces the Count to agree to let her marry Cherubino. The wedding celebrations begin. Susanna passes the letter to the Count.

Act IV

That night in the garden, Barbarina laments losing the pin she was to return to Susanna. Figaro resolves to interrupt the tryst between Susanna and the Count. Marcellina goes to forewarn Susanna.

Barbarina, Figaro, Bartolo and Basilio hide. Disguised in each other’s clothes, Susanna and the Countess enter to ensnare the Count.

Cherubino arrives seeking Barbarina, but sees (as he thinks) Susanna, and flirts with her. The Count takes Cherubino’s place wooing ‘Susanna’. Figaro, seeing through Susanna’s disguise, feigns seducing ‘the Countess’, and is caught by the Count, who refuses to forgive his wife for her apparent infidelity. The truth is revealed and all is set right.


Supported by Simon & Kate Orebi Gann and Family with a Syndicate and Circle of individuals
Bring world-class opera to the stage in Festival 2022

Le nozze di Figaro is available to support from £5000+
Join a Production Circle or Syndicate – contact our Director of Development, Helen McCarthy
helen.mccarthy@glyndebourne.com


Illustration © Katie Ponder

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