Monteverdi

L'Orfeo

14 June – 25 July

The pursuit of love takes us from heaven to hell in this mythic masterpiece.

When death claims his wife on their wedding day, Orpheus must brave the Underworld to rescue her. Can his music move the gods themselves? A classic myth brings together Monteverdi’s powerfully expressive score and a new staging by artist and Olivier Award-winning director William Kentridge.

Featuring a cast of period specialists including Krystian Adam as Orfeo, Francesca Aspromonte as La Musica/Euridice, Leia Lensing as Proserpina, Callum Thorpe as Caronte and Davide Giangregorio as Plutone. See full cast and creative team details here. Jonathan Cohen will conduct the Orchestra of the Age of Enlightenment.

To find out more about L’Orfeo including key plot points, popular arias and background information: read our Introducing L’Orfeo blog.

Sung in Italian with English supertitles.


Synopsis

Synopsis

Act I

Prologue The spirit of music appears. She welcomes the audience, and promises to tell the story of Orpheus – a musician so talented that he could calm wild animals and even conquer death itself.

The fields of Thrace

A chorus of nymphs and shepherds gather to celebrate the wedding of musician Orpheus – no longer a disdainful, brooding bachelor, but an ardent lover – and his Euridice. The couple express their love for one another before the wedding party departs to the temple.

Synopsis

Synopsis

ACT II

The fields of Thrace

Orpheus and his companions praise the beauties of nature. The shepherds ask him for a song, and he responds with a hymn to the surrounding landscape – the rocks and trees that once pitied his loneliness, but now rejoice in his new-found happiness. But Orpheus’s joy is cut short when a messenger enters with terrible news: Euridice is dead, bitten by a snake. All are overcome with shock and grief – Orpheus most of all. How, he asks, can he still live, when his beloved is dead? He resolves to journey to the Underworld; either he will return with his wife, or die himself.

Synopsis

Synopsis

ACT III

The River Styx

Hope herself guides Orpheus to the gates of Hades with their ominous inscription: “Abandon hope, all ye that enter here”. If Orpheus is to enter Hades he must first persuade the ferryman Charon to take him across the river. At first Charon refuses; no living creature can enter the land of the dead. Orpheus continues to plead in song, accompanying himself on his lyre, telling the boatman his story. Charon remains unmoved, impervious to persuasion or pity. But realising his song has lulled Charon into sleep, Orpheus seizes his chance – stealing the boat and successfully crossing the river.

Synopsis

Synopsis

ACT IV

The Underworld

The gods of the Underworld have heard Orpheus’s song. Queen Proserpina is moved, and pleads with her husband Pluto to grant the musician’s wish. Pluto consents, with one condition: Orpheus must not look back on his return journey. If he does – even just a single glance – he will condemn Euridice to death forever. Orpheus enters, leading his wife, confident in the task ahead. But a sudden sound makes him anxious: what if the Furies are stealing Euridice away from him? He turns to look, and even as he sees his wife she begins to fade from view. Orpheus attempts to follow her, but is forced back. He may have conquered Hades, but has been defeated by love itself.

Synopsis

Synopsis

ACT V

The Fields of Thrace

Back in Thrace once again, Orpheus abandons himself to grief. Echo appears and he rages at her; she can offer him no comfort. Euridice was the best of women, he declares; never again will Orpheus allow love to pierce his heart. Suddenly the god Apollo – Orpheus’s father – appears. He chastises his son for allowing himself to be consumed by loss. Why not ascend to the heavens instead, he asks, where Orpheus – now immortal – may forever see Euridice’s face in the sun and stars? Orpheus agrees, and they ascend together. The chorus bring the opera to a close: he who has braved hell, will reap eternal reward.


Performance timings

Timings are subject to change.

For further information about your visit please visit our how to get here page.

 

18, 24, 27 June
3, 7, 10, 18, 20, 23, 25 July

Grounds open: 3.30pm
Opera starts: 5.30pm
Interval (90 mins)
Opera ends: 8.50pm

14, 21, June
12 July

Grounds open: 2.00pm
Opera starts: 4.00pm
Interval (90 mins)
Opera ends: 
7.20pm


Creative team

Conductor
Jonathan Cohen

Director
William Kentridge

Set Designer
Sabine Theunissen

Costume Designer
Greta Goiris

Choreographer
Gregory Maqoma

Lighting Designer
Urs Schönebaum

Video Designer
Janus Fouche

Orchestra of the Age of Enlightenment

The Glyndebourne Chorus

 

Cast includes

Orfeo
Krystian Adam

La Musica / Euridice
Francesca Aspromonte

Messaggera
Xenia Puskarz Thomas

Proserpina
Leia Lensing

La Speranza
Kieron-Connor Valentine

Caronte
Callum Thorpe 

Plutone
Davide Giangregorio

The music in these performances is by King’s Music Edition. Edition by Clifford Bartlett published by The Early Music Company.


Support led by Jon and Julia Aisbitt, Dunard Fund USA

and André and Rosalie Hoffmann


Bring world-class opera to the stage

To find out more about production support for Festival 2026 here
or contact our Director of Development, Helen McCarthy for an informal chat:
call 01273 815032 or email helen.mccarthy@glyndebourne.com


Main image: Anton Karpenko/500px/Getty Images. Image design by Louise Richardson

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