Talent development

The Glyndebourne Opera Cup

An international competition for opera singers.

The Glyndebourne Opera Cup – an international competition for opera singers is designed to discover and spotlight the best young singers from around the world.

It offers a top prize of £15,000 and a platform for launching an international opera career.

The competition will take place every two years, each time focused on a different single composer or strand of the repertoire, in order to cater for the various specialisms within operatic training and to ensure competitors can be accompanied by an orchestra with instruments appropriate for the period. Eligibility criteria, including age limit, will vary to reflect the chosen theme.

The competition has been devised by Sebastian F. Schwarz, who chairs the judging panel. Acting as the competition’s honorary president is Dame Janet Baker, whose own early career was fostered by Glyndebourne. As well as presenting the prizes, she adjudicated at the live final in 2018.

Following a successful launch in 2018, the Glyndebourne Opera Cup returns in 2020. The final will take place at Glyndebourne on 7 March 2020 and will once again be broadcast live by Sky Arts.  Applications for the Glyndebourne Opera Cup open on 1 September 2019. Full details will be announced later this year.

2018 Competition

183 applicants, 3 heats, 10 finalists…

The inaugural Glyndebourne Opera Cup has come to an end. Take a look back at the journey of the finalists and relive the excitement of our first ever international singing competition.

The full list of 2018 prize winners:

Overall winner (£15,000) – Samantha Hankey
Second place (£10,000) – Jacquelyn Stucker
Third place (£7,500) – Elbenita Kajtazi
Ginette Theano prize for most promising talent (£5,000) – Emily Pogorelc
Media prize (£5,000) (adjudicated by a media panel) – Samantha Hankey
Audience prize (£5,000) – Elbenita Kajtazi

Mezzo-soprano Samantha Hankey, 25, from the USA, was crowned the overall winner, receiving £15,000 and the guarantee of a role within five years at one of the top opera houses represented on the competition jury.

A native of Massachusetts, Hankey attended the Merola Opera Program in San Francisco and recently graduated from The Juilliard School. In 2017/18 she makes her debuts as Rosina in Il barbiere di Siviglia at Den Norske Opera, Siébel in Faust at Grand Théâtre de Genève, and her Carnegie Hall debut in Handel’s Messiah with Musica Sacra. She was Grand Finals winner of the 2017 Metropolitan Opera National Council Auditions and first prize winner of the Dallas Opera Guild Competition.

Winning the Audience Prize, with a third of all votes cast by those in the auditorium who watched the final, was Kosovan soprano Elbenita Kajtazi, 27. Kajtazi as a young girl was forced to flee her home in war-torn Kosovo with her family, and live as a refugee in Albania. ‘Every time there would be a dangerous situation – the soldiers would come into our house or something like that – I would find a corner and sing to myself. Singing was my way to be able to feel safe,’ she recalls.

On her win she commented: ‘The audience prize means that the audience loved me and what more could I ask for? I’m for the first time here in England and I get this kind of treat and I’m able to get in people’s hearts, this means the world to me.’

Kajtazi also took Third place.

Second place went to American soprano Jacquelyn Stucker, 28, currently a Jette Parker Young Artist at the Royal Opera House, where she recently performed the role of Frasquita in Barrie Kosky’s production of Carmen.
The Ginette Theano prize for most promising talent was awarded to American soprano Emily Pogorelc, 21. Pogorelc was the youngest competitor to reach the final and is currently entering her final year at the Curtis Institute of Music.

How can I take part in the competition?

Applications for The Glyndebourne Opera Cup are now closed
Applications for the Glyndebourne Opera Cup 2020 open on 1 September 2019

The 2018 judging panel

Sebastian F. Schwarz (Chair)
Barrie Kosky Artistic Director, Komische Oper Berlin
David Devan General Director and President, Opera Philadelphia
Joan Matabosch Artistic Director, Teatro Real de Madrid
Sophie de Lint Artistic Director, Zurich Opera and Director designate of Dutch National Opera
Fortunato Ortombina Intendant and Artistic Director, Teatro La Fenice, Venice
Pål Christian Moe Casting Consultant for Glyndebourne and Bayerische Staatsoper Munich
Maria Mot Associate Director, Vocal & Opera, Intermusica
Dame Janet Baker (Live Final only)

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