• Details

    East meets West with devastating consequences in Puccini’s tragic romance.

    Madama Butterfly makes its Festival debut in Annilese Miskimmon’s thought-provoking production.

    When an innocent young Geisha meets an American naval officer she falls instantly and deeply in love. Giving up her family and her faith, she risks all in marriage to the dashing Lieutenant Pinkerton. But her fragile happiness cannot last. Soon love turns to abandonment and betrayal, and Butterfly is forced to make one final, agonising sacrifice.

    A tragic love story

    Bursting with exotic colour and memorable melodies, Puccini’s seductive score conceals a dramatic blade that cuts to the heart. Compressing ‘great grief into small souls’, as the composer himself described it, Madama Butterfly is a classic love story that never fails to move, a tragic romance that sweeps you along in the intensity of its action. Blending authentic Japanese music with luscious European harmonies and orchestration, the opera is an irresistible fusion of East and West.

    Puccini’s opera makes its Festival debut in Annilese Miskimmon’s thought-provoking production that updates the original turn-of-the-century setting to the 1950s, confronting the darker political and emotional currents of a work that acknowledges that there are some barriers too great for even love to conquer.

    A revival of the Tour 2016 production. Sung in Italian with English supertitles.


    Enhance your experience

    Insider talk – Madama Butterfly: Staging Glyndebourne’s first Butterfly
    Sunday 3 June, 3.30pm – 4.15pm, £9

    Our Insider talks gives you a behind the-scenes glimpse in to the workings of Glyndebourne – find out more


    Madama Butterfly is supported by Christopher

  • Cast and creative team

    Creative team

    Conductor Omer Meir Wellber / Ben Glassberg (12 July)
    Director Annilese Miskimmon
    Designer Nicky Shaw
    Lighting Designer Mark Jonathan
    Movement Director Kally Lloyd Jones
    Video Designer Ian William Galloway

    London Philharmonic Orchestra
    Leader Pieter Schoeman

    The Glyndebourne Chorus
    Chorus Master Nicholas Jenkins

    Assistant Conductor Ben Glassberg
    Music Preparation Alessandro Amoretti, Tim Anderson, Serghei Constantinov
    Language Coach Barbara Diana
    Assistant Director Rachael Hewer
    Supertitles Cori Ellison

    Cast includes

    Lieutenant B F Pinkerton Joshua Guerrero
    Goro Carlo Bosi (19, 23, 26, 31 May; 3, 6, 9, 17, 21, 24 June) / François Piolino (14, 28 June; 1, 5, 8, 12, 18 July)
    Suzuki Elizabeth DeShong
    Sharpless Michael Sumuel
    Cio-Cio-San Olga Busuioc
    The Cousin Jennifer Witton*
    Cio-Cio-San’s Mother Eirlys Myfanwy Davies*
    Yakuside, Cio-Cio-San’s Uncle Adam Marsden*
    The Aunt Shuna Scott Sendall*
    Imperial Commissioner Michael Mofidian*†
    Official Registrar Jake Muffett*†
    Bonze Oleg Budaratskiy
    Prince Yamadori Simon Mechlinski
    Sorrow Beatrix Prawanna/Rupert Wade
    Kate Pinkerton Ida Ränzlöv*†

    * Soloist from The Glyndebourne Chorus
    † Jerwood Young Artist 2018

  • Dates and times

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    Performance schedule Gardens Performance Transport
    Date Open Start *Long interval Finish Train departs Victoria Post opera coach
    Saturday 19 May  
    3.00 5.10 6.10 9.00 1.46 9.25
    Wednesday 23 May 3.00 5.10 6.10 9.00 1.46 9.25
    Saturday 26 May 3.00 5.10 6.10 9.00 1.46 9.25
    Thursday 31 May 3.00 5.10 6.10 9.00 1.46 9.25
    Sunday 3 June   2.00 4.35 5.35 8.25 12.46 8.55
    Wednesday 6 June 3.00 5.10 6.10 9.00 1.46 9.25
    Saturday 9 June 3.00 5.10 6.10 9.00 1.46 9.25
    Thursday 14 June 3.00 5.10 6.10 9.00 1.46 9.25
    Sunday 17 June 2.00 4.35 5.35 8.25 12.46 8.55
    Thursday 21 June 3.00 5.10 6.10 9.00 1.46 9.25
    Sunday 24 June 2.00 4.35 5.35 8.25 12.46 8.55
    Thursday 28 June 3.00 5.10 6.10 9.00 1.46 9.25
    Sunday 1 July 2.00 4.35 5.35 8.25 12.46 8.55
    Thursday 5 July 3.00 5.10 6.10 9.00 1.46 9.25
    Sunday 8 July 2.00 4.35 5.35 8.25 12.46 8.55
    Thursday 12 July 3.00 5.10 6.10 9.00 1.46 9.25
    Wednesday 18 July 3.00 5.10 6.10 9.00 1.46 9.25
    Opening night
    Insider Talk
    Study event
    <30 Glyndebourne Under 30s performance
    Early Start
    Dining and ticket option available

    *Long dining interval
    Our long dining interval lasts for 90 minutes

  • Synopsis

    Act I

    Benjamin Franklin Pinkerton, a young US Navy lieutenant stationed in Japan, has arranged with Goro, amarriage broker, to acquire a 15-year-old Japanese bride, Cio-Cio-San(also known as Butterfly). Pinkerton has taken a 999-year lease on a home overlooking Nagasaki harbour; this lease, as well as hismarriage, can conveniently be cancelled at a month’s notice. Sharpless, the American Consuland Pinkerton’s friend, arrives to witness the signing of the wedding contract. He warns Pinkerton not totreat the marriage lightly, as his bride-to-be is truly in love with him. Pinkerton claims to be smitten withButterfly, but he then proposes a toast to the American woman he will one day wed. Butterfly arrives. She tells Sharpless that her family was once wealthy, but hard times forced her to become a geisha. After Butterfly admits that her father is dead, Goro tells Pinkerton that he committed ritual suicide atthe Emperor’s command. Butterfly’s relatives arrive and the formalities proceed. The festivities areinterrupted when the Bonze, Butterfly’s uncle, enters to denounce her for forsaking their ancestralreligion. Pinkerton angrily orders the guests to leave. He comforts the distraught Butterfly, and thenewlyweds proclaim their love.  

    Act II

    Pinkerton has been gone from Nagasaki for three years. Suzuki, Butterfly’s companion, fears that he willnot keep his promise to return, yet Butterfly is sure that he will. Sharpless arrives to read Butterfly aletter he has received from Pinkerton, who has since taken an American wife. Goro interrupts, usheringin Prince Yamadori, a potential suitor for Butterfly who she dismisses. When Sharpless finally readsPinkerton’s letter to Butterfly, she gradually realises that she has been abandoned. She sends for heryoung son, Sorrow, certain that Pinkerton will return when he learns that he has a son. Butterfly insiststhat she would rather die than be a geisha again. Suddenly, a cannon booms in the harbour, signalingthe arrival of Pinkerton’s ship. Butterfly and Suzuki decorate the house and await Pinkerton’s return inan all-night vigil.  

    Act III

    Early in the morning, Pinkerton, his American wife Kate, and Sharpless arrive at Butterfly’s house. Butterfly is asleep, so they ask Suzuki to tell her that they wish to take Sorrow away to live with them inAmerica. Pinkerton flees in remorse. Butterfly enters to discover Kate there and soon realises who sheis. She reluctantly agrees to surrender her child if Pinkerton will come for him in half an hour. Afterbidding farewell to Sorrow, Butterfly takes the only option she feels is left to her. Pinkerton rushes intothe house and faces the consequences of his actions.