Gaetano Donizetti

Don Pasquale

There’s no fool like an old fool in Mariame Clement’s much-loved production of Donizetti’s comedy, Don Pasquale.

Touring dates

Friday 5 November, 7.15pm

Friday 12 November, 7.15pm

Friday 26 November, 7.15pm

Friday 3 December, 7.15pm


There’s no fool like an old fool… 

Nimble and breathless, outrageous and exhilarating, Donizetti’s late comic masterpiece pits two generations against one another in a musical battle of wits and wills.

Miserly old bachelor Don Pasquale is fed up with his nephew Ernesto, and vows to get married and produce an heir, so he can cut the feckless young man out of his will. But when Ernesto and his beloved Norina get wind of the plan, they come up with their own scheme to outwit him. The trap is set, and romantic tangles, tussles and intrigue quickly ensue.

Described as ‘the most Mozartean of Donizetti’s comedies’, Don Pasquale is the culmination of a long career in the opera house, an irresistible blend of humour and romance spiced with just enough cruelty to keep things interesting. Wit and lyricism collide in a lively score that’s the engine of this fast-paced, tune-filled drama.

Mariame Clement’s period staging combines 18th-century elegance with contemporary acuity to create a memorable and much-loved production.

There will be a performance for schools of Don Pasquale at Glyndebourne. More information will be available soon.

Creative team

Conductor
Jonathan Bloxham

Director
Mariame Clément

Revival Director
Paul Higgins

Designer
Julia Hansen

Lighting Designer
Bernd Purkrabek

Glyndebourne Tour Orchestra

The Glyndebourne Chorus

Cast includes

Don Pasquale
Ricardo Seguel

Norina
Mariam Battistelli

Malatesta
Konstantin Suchkov

Ernesto
Konu Kim

Photos by Clive Barda

Synopsis

Act I

The elderly bachelor Don Pasquale, at his house in Rome, awaits his friend Dr Malatesta, who has arranged a marriage for him. The bride, Malatesta tells him, is beautiful and innocent, and happens to be Malatesta’s sister.

Don Pasquale reminds his nephew Ernesto that he has offered to wed him to a wealthy lady on pain of disinheritance if he refuses. Ernesto refuses again; he intends to marry the impoverished Norina.

At home, Norina scoffs at a romantic novel. Malatesta arrives and tells her of the scheme he has hatched to help her and Ernesto marry. Norina will be introduced to Pasquale as Malatesta’s sister Sofronia, fresh from the convent. After they are ‘married’ by a false notary, Pasquale will be at their mercy.

Synopsis

Act II

Disowned by Pasquale, Ernesto feels he cannot ask Norina to share his poverty.

Malatesta arrives at Pasquale’s house with ‘Sofronia’, apparently shy and afraid of men. Pasquale proposes and she accepts. Malatesta’s false notary draws up the contract, making Sofronia mistress of the house and owner of half of Pasquale’s goods. The ceremony done, Sofronia instantly transforms into a domineering, spendthrift shrew and appoints Ernesto her escort.

Synopsis

Act III

Don Pasquale, his home completely revamped by Norina/Sofronia, examines the bills with horror. Norina enters, dressed up to go to the theatre. Pasquale tries to stop her, but ‘Sofronia’ treats him harshly. As she leaves, she deliberately drops a piece of paper. Pasquale discovers that it is a note from Sofronia’s lover arranging a tryst in the garden that evening. Pasquale sends for Malatesta and shows him the note. They agree to confront the lovers in the garden that night.

Later, in the garden, Ernesto serenades Norina, and they sing of their love. Pasquale and Malatesta spy on them and then ambush them, but Ernesto escapes unrecognised. ‘Sofronia’ denies her guilt and refuses to leave, but Malatesta persuades her that she cannot stay, as Norina is to arrive tomorrow as Ernesto’s bride. Pasquale is thus forced to accept Ernesto’s chosen wife in order to get rid of his own. When the truth is finally revealed, Pasquale forgives the youngsters and all are reconciled.

Words: George Hall


Supported by
a Syndicate and Circle of individuals

If you would like to discuss support, we would love to hear from you.

JOIN The Don Pasquale CIRCLE (FROM £5000+)

Deepen your involvement and gain an insider’s view of the creative process through exclusive events.

Find out more here or contact our Development Manager, Tanya Richardson at tanya.richardson@glyndebourne.com or call 01273 815419


 Please note that due to the ongoing Covid-19 crisis, all of these details are subject to change.

Extravagance and Desperation © Tom Hammick. All rights reserved, DACS 2021

You might also like

See photos from our brand new production of Verdi's tragedy.
Our popular Open Gardens days return this September.
News and features
It is with great pleasure that we can announce next year’s F…
Glyndebourne is facing a devastating impact due to the loss …
Read our step-by-step guide to the autumn experience and fin…
Glyndebourne Shop
Our online shop offers a great selection of exclusive and locally sourced products. Every purchase supports our work.
Become a Member
Enjoy priority booking for the Festival. Find out how you can join as an Associate Member
Donate to the Annual Fund
To stay at the forefront of theatre technology, we need your help. Set the spotlight back on our stage by supporting this vital upgrade.

Select time

Book Now

Cancel