There’s no fool like an old fool in Mariame Clement’s much-loved production of Donizetti’s comedy, Don Pasquale.
Nimble and breathless, outrageous and exhilarating, Donizetti’s late comic masterpiece pits two generations against one another in a musical battle of wits and wills.
Miserly old bachelor Don Pasquale is fed up with his nephew Ernesto, and vows to get married and produce an heir, so he can cut the feckless young man out of his will. But when Ernesto and his beloved Norina get wind of the plan, they come up with their own scheme to outwit him. The trap is set, and romantic tangles, tussles and intrigue quickly ensue.
Described as ‘the most Mozartean of Donizetti’s comedies’, Don Pasquale is the culmination of a long career in the opera house, an irresistible blend of humour and romance spiced with just enough cruelty to keep things interesting. Wit and lyricism collide in a lively score that’s the engine of this fast-paced, tune-filled drama.
Mariame Clement’s period staging combines 18th-century elegance with contemporary acuity to create a memorable and much-loved production.
There will be a performance for schools of Don Pasquale at Glyndebourne. More information will be available soon.
Ticket holders on Thursday 28 October are invited to join us for our free half hour pre-performance talk to gain further insights into this much-loved production. At 6.00pm in the Ebert Room, Glyndebourne’s opera content specialist Alexandra Coghlan will be sharing her expert knowledge to give you an overview of the opera including a discussion of its history, plot and musical themes.
Tickets are free but must be booked in advance. You can book online when buying your opera tickets, or call the box office on +44 (0)1273 815 000
An audio described performance will take place at Glyndebourne on Monday 25 October at 4.00pm. Find out more here.
Johann Stuckenbruck (28 Oct, 3 Dec)
The Glyndebourne Chorus
Chorus Director Aidan Oliver
The Glyndebourne Tour Orchestra
Leader Richard Milone
* Soloist from The Glyndebourne Chorus
+ Jerwood Young Artist 2021
Photos by Robbie Jack
The elderly bachelor Don Pasquale, at his house in Rome, awaits his friend Dr Malatesta, who has arranged a marriage for him. The bride, Malatesta tells him, is beautiful and innocent, and happens to be Malatesta’s sister.
Don Pasquale reminds his nephew Ernesto that he has offered to wed him to a wealthy lady on pain of disinheritance if he refuses. Ernesto refuses again; he intends to marry the impoverished Norina.
At home, Norina scoffs at a romantic novel. Malatesta arrives and tells her of the scheme he has hatched to help her and Ernesto marry. Norina will be introduced to Pasquale as Malatesta’s sister Sofronia, fresh from the convent. After they are ‘married’ by a false notary, Pasquale will be at their mercy.
Disowned by Pasquale, Ernesto feels he cannot ask Norina to share his poverty.
Malatesta arrives at Pasquale’s house with ‘Sofronia’, apparently shy and afraid of men. Pasquale proposes and she accepts. Malatesta’s false notary draws up the contract, making Sofronia mistress of the house and owner of half of Pasquale’s goods. The ceremony done, Sofronia instantly transforms into a domineering, spendthrift shrew and appoints Ernesto her escort.
Don Pasquale, his home completely revamped by Norina/Sofronia, examines the bills with horror. Norina enters, dressed up to go to the theatre. Pasquale tries to stop her, but ‘Sofronia’ treats him harshly. As she leaves, she deliberately drops a piece of paper. Pasquale discovers that it is a note from Sofronia’s lover arranging a tryst in the garden that evening. Pasquale sends for Malatesta and shows him the note. They agree to confront the lovers in the garden that night.
Later, in the garden, Ernesto serenades Norina, and they sing of their love. Pasquale and Malatesta spy on them and then ambush them, but Ernesto escapes unrecognised. ‘Sofronia’ denies her guilt and refuses to leave, but Malatesta persuades her that she cannot stay, as Norina is to arrive tomorrow as Ernesto’s bride. Pasquale is thus forced to accept Ernesto’s chosen wife in order to get rid of his own. When the truth is finally revealed, Pasquale forgives the youngsters and all are reconciled.
Words: George Hall
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Extravagance and Desperation © Tom Hammick. All rights reserved, DACS 2021