Wolfgang Amadeus Mozart

Die Zauberflöte

Mozart’s most magical comedy is rich in adventure, wit and romance. Image © Tom Hammick

Glyndebourne Members have priority booking for Festival 2021 – find out more about becoming a Member
Public booking opens in March 2021

Please note that performance dates for Festival 2021 are still to be confirmed

About the opera

A gallant hero, a kidnapped princess and a mischievous sidekick.

Prince Tamino is on a quest to rescue the beautiful Pamina, daughter of the Queen of the Night, who has been kidnapped by the High Priest, Sarastro. But is all really as it seems? With the help of bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness but trials of fire and water if he is to arrive at the truth and gain Pamina as his wife.

Composed just months before his death, Mozart’s final stage work is a heady blend of knock-about comedy and contemplative beauty. The sweetness and apparent simplicity of this enchanting score conceals a great deal of sophistication, weaving some of the composer’s most beautiful and best-loved melodies together in an elegant allegory whose wicked queens and noble princes are just the beginning of the story.

Constantin Trinks conducts the first revival of Barbe & Doucet’s bewitching, fantasy-filled production.

Video


Festival artwork

by tom hammick

We have worked with artist Tom Hammick to create a series of images to illustrate the six operas that make up Festival 2021.

You can find out more about Tom’s work at hammickeditions.com and he will be exhibiting works inspired by our repertoire at Glyndebourne throughout Festival 2021. A selection of original works and prints will be available from Glyndebourne Shop.

This work is entitled Tamino in the Wilderness.


Creative team

Conductor
Constantin Trinks

Direction and Design
Barbe & Doucet

Puppet Designer and Puppet Coach
Patrick Martel

Lighting Designer
Guy Simard

Orchestra of the Age of Enlightenment

The Glyndebourne Chorus

Cast includes

Tamino
Paul Appleby

Pamina
Siobhan Stagg

Sarastro
Soloman Howard

Queen Of The Night
Galina Benevich

Papageno
Johannes Kammler

Monostatos
Alasdair Elliott

First Lady
Ann Toomey

Second Lady
Corinna Scheurle

Third Lady
Tone Kummervold

The Speaker
Dingle Yandell


Photo gallery

Photos: Bill Cooper

Synopsis

Act I

Alone in a foreign land, Prince Tamino is attacked by a giant serpent. He faints but, when he comes to, realises that he has been rescued – someone else has killed the monster. Papageno, the Queen of the Night’s bird-catcher, is quick to claim the credit, but is soon corrected by the queen’s three ladies. They give Tamino a portrait of Pamina, the queen’s daughter, who has been abducted by the tyrant Sarastro. Tamino falls instantly in love. The queen herself appears, and promises the Prince her daughter’s hand if he can rescue her. To help him on his quest, the ladies give him a magic flute and three magical spirits to guide him. He sets off, joined by an unwilling Papageno.

Imprisoned in Sarastro’s temple underground, Pamina is at the mercy of the slave Monostatos. But his lecherous plans are interrupted by Papageno, who tells Pamina of Tamino’s love and his quest to rescue her. Arriving at the temple, Tamino is greeted by a priest, who tells him that he has been deceived by the Queen of the Night; all is not as she described. Papageno and Pamina have escaped, but are pursued by Monostatos. Papageno uses his magic bells to enchant their pursuers, but just as they are once again free, they hear Sarastro and his followers approaching. Pamina confesses all and is forgiven, but Sarastro still refuses to release her. Tamino enters, captured by a triumphant Monostatos. He and Pamina meet briefly for the first time before they are both led separately away to prepare for their initiation into Sarastro’s order. Monostatos is punished.

Synopsis

Act II

Sarastro persuades the brotherhood to accept Tamino as a member if he passes the order’s tests of initiation. Tamino and Papageno face the first trial: silence. Papageno fails almost immediately, but Tamino holds firm. The Queen of the Night still seeks revenge, and orders Pamina to kill Sarastro. Monostatos overhears and threatens to expose the plot unless Pamina surrenders to his desires. But Sarastro discovers his scheme, banishes Monostatos and forgives Pamina. Papageno and Tamino are still sworn to silence. Papageno once again fails by talking to an old woman. Tamino plays his magic flute, which summons Pamina to him. She speaks but he cannot reply, forcing her to believe that he no longer loves her. Sarastro orders Pamina and Tamino to bid each other a final farewell – they must now prepare for their trials. Papageno expresses his wish for a wife of his own, and is rewarded by the return of the old lady. But the instant he reluctantly agrees to marry her she is transformed into his perfect Papagena, only to be immediately whisked away by the brotherhood: he is not yet worthy of her.

Convinced Tamino no longer loves her, Pamina prepares to kill herself, but is prevented by the Three Boys, who reassure her of his devotion. Two men in armour help Tamino prepare for his final trials. Free now to speak, he is reunited with Pamina who resolves to undergo the trials of fire and water alongside him. Devastated by the loss of Papagena, Papageno prepares to hang himself. But once again the Three Boys intervene, telling him to use the magic bells to summon her back. The lovers are joyfully reunited.

The Queen of the Night, Monostatos and their allies make one final attempt to overthrow Sarastro but fail. ‘The rays of the sun expel the night and annihilate the power of the hypocrite’ proclaims Sarastro. He welcomes Tamino and Pamina into the brotherhood, as members of the order celebrate a new era of wisdom.


Supported by
Dunard Fund and Lindsay and Sarah Tomlinson

Set the spotlight back on our world-class productions

If you are interested in supporting a 2021 Festival production we’d love to hear from you.

Find out more here or contact our Director of Development, Helen McCarthy at helen.mccarthy@glyndebourne.com


The edition of Die Zauberflöte used in these performances is published by Gernot Gruber, Alfred Orel and Heinz Moehn by arrangement with Bärenreiter-Verlag, Kassell, and Faber Music Ltd, London.

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