The Marriage of Figaro
Watch Mozart's The Marriage of Figaro online for free from Sunday 24 May
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When a womanising aristocrat tries to seduce his valet’s pretty young wife, his wife and servants conspire to teach him a lesson in fidelity he’ll never forget. Plots are hatched, promises made (and broken) and disguises donned, as Mozart’s ‘mad day’ unfolds.
A revolutionary comedy in every sense, Mozart and Da Ponte’s adaptation of Beaumarchais’s banned 1778 play about warring masters and servants takes a topical satire and broadens it into a deeply human drama. The battle between both classes and sexes remains sharply bladed, but the characters themselves are rounded by some of Mozart’s most sparkling music into feeling, fallible and all too familiar personalities.
Director Michael Grandage updates the action to the swinging sixties in his 2012 production, starring Lydia Teuscher as Susanna and Vito Priante as her beloved Figaro. Robin Ticciati conducts.
Orchestra of the Age of Enlightenment
The Glyndebourne Chorus
Chorus Master Jeremy Bines
Figaro and Susanna are to wed. While Susanna tries on a wedding bonnet, Figaro measures the room offered to them by their master, Count Almaviva. Susanna points out its dangerous proximity to the lecherous Count’s own room. Figaro vows to thwart him.
Figaro’s old enemy Dr Bartolo and his former servant Marcellina arrive with a marriage contract between Marcellina and Figaro, which they intend to enforce. Susanna arrives and exchanges subtle insults with Marcellina. Cherubino enters, miserable he is being sent to the army after the Count found him dallying with the gardener’s daughter, Barbarina. Seeing the Count approach, he hides.
The Count makes a pass at Susanna, but hides when Don Basilio, the gossipy singing teacher, arrives. Basilio’s mention of Cherubino gazing longingly at the Countess draws the Count out of hiding. Demonstrating how he discovered Cherubino in Barbarina’s room, he finds him yet again.
The Count is interrupted by the arrival of Figaro and a group of servants praising the Count for abolishing the ancient feudal right of a master to sleep with the virgin brides of his servants. The Count sends Cherubino off to join his regiment.
The Countess laments her husband’s neglect.
Figaro tells the Countess and Susanna his plan to send a crossdressed Cherubino to meet the Count in place of Susanna. Susanna dresses Cherubino, then leaves to get her dress. Since the Countess and Cherubino are now alone together, the Count’s arrival causes him to hide in the closet.
When a noise is heard from the closet, the Countess claims it is Susanna, who, unobserved, returns and hides behind a screen.
The Count demands that Susanna emerge from the closet. Taking the Countess with him, he goes to fetch tools to open the door.
Susanna releases Cherubino, who escapes through the window, while she enters the closet.
Returning with the Count, the Countess confesses it is Cherubino in the closet. Both are amazed when Susanna emerges.
Figaro arrives. The gardener Antonio bursts in complaining that someone jumped from the window – Figaro claims it was him.
The Count is relieved when Bartolo, Marcellina and Basilio enter demanding Figaro marry Marcellina or repay his debt to her. All ends in confusion.
The Count continues his pursuit of Susanna.
He thinks she has accepted until he overhears her telling Figaro they have won their case.
While the Countess ponders her unhappy marriage, the court case to decide on Marcellina’s marriage contract is resolved in her favour.
Figaro plays one last card – stolen as a baby from a respectable family, he requires his parents’ consent. When he describes his history and a distinguishing mark, Marcellina recognises Figaro as her long-lost son – Bartolo is his father.
The family is reunited and Susanna and Marcellina reconciled.
Susanna and the Countess write a letter from Susanna to the Count, inviting him to a tryst and asking him to return a pin as confirmation.
A group of servant girls arrive offering flowers to the Countess. Among them she recognises Cherubino, but unfortunately so does the Count. Barbarina, however, forces him to agree to let her marry Cherubino.
As the wedding celebrations begin, Susanna passes the letter to the Count.
That night in the garden Figaro and Marcellina overhear Barbarina lamenting losing the pin she was supposed to return to Susanna, and they realise its significance. Figaro resolves to interrupt the tryst, but Marcellina decides to warn Susanna.
Barbarina arrives and hides, soon followed by Figaro and his witnesses, Bartolo and Basilio. Disguised in one another’s clothes, Susanna and the Countess arrive to trap the Count.
Cherubino arrives, seeking Barbarina, but believing he sees Susanna, takes the opportunity to flirt with her. The Count violently replaces him and ‘Susanna’ escapes.
Mayhem ensues as the disguises confuse both the Count and, at first, Figaro, who is caught apparently trying to seduce the Countess.
The Count calls for his witnesses. He refuses to forgive the ‘Countess’ for her apparent infidelity until the real Countess enters, astounding everyone.
When he begs forgiveness, she graciously pardons him, and all celebrate.