Read synopses of Glyndebourne’s productions and discover the twists, turns and highlights of some of the most compelling stories in the opera repertoire.
The first of Handel’s great English oratorios, Saul melds operatic-style, psychologically probing arias with mighty choruses.
Donizetti’s rarely-produced masterwork Poliuto is based on Corneille’s French Neoclassical tragedy Polyeucte and tells the tale of Saint Polyeuctus (d. 259 AD), an early Christian martyr.
A popular Sing spiel in which tuneful Viennese comedy meets serious Enlightenment philosophy, the piece is often cited as Mozart's first fully mature stage work.
Set in Andalucía, Carmen is based on the 1845 novella by Prosper Mérimée and traces the joined fates of the fiery gypsy Carmen and Don José, a naïve army corporal. Appearing in the 2015 Glyndebourne Festival.
The harrowing historic tale of Lucretia has inspired works by artists throughout the ages. Britten coined the term ‘chamber opera’ to describe this intimate, haunting masterpiece, which deploys a cast of eight singers.
Glyndebourne's double bill of one act Ravel operas comprises of the Spanish flavoured L'heure espagnole and the fantastical L'enfant et les sortileges.
Don Pasquale, the 64th of Donizetti's 66 operas, has a diamond-bright wit and brilliance but with a distinctly darker side involving a complex and increasingly vindictive deception.
An intricately crafted collaboration between composer Richard Strauss and writer Hugo von Hofmannsthal, the kernel of the story of Ariadne auf Naxos is the clash between high and low art.
Benjamin Britten's powerfully dramatic opera, set on board a British man of war during the Napoleonic wars, presents a situation where a man's innocence is not enough to save him.
After shocking the opera world with Salome and Elektra, Richard Strauss seduced it with Der Rosenkavalier, the most beguiling of all romantic farces and a bittersweet mediation on the evanescence of love and time.
Mozart's Don Giovanni slinks relentlessly between comedy and tragedy as the composer presents his take on the story of the legendary 14th-century Spanish nobleman Don Juan.
Tchaikovsky's operatic take on Pushkin's Eugene Onegin transformed a revered master-work of Russian literature into the best-loved and arguably greatest, of all Russian operas.
Throughout his long career, Verdi longed to find a good subject for a comic opera. He found that subject, in the vast and jovial shape of Shakespeare's John Falstaff and the result is a triumph.
Hippolyte et Aricie was French composer Rameau's first work for the stage. For it, he drew on ancient Greek tragedy and 17th-century classical French drama to create a version of the story of Theseus, Phaedra and Hippolytus that is his own unique construct.
Writers and painters, desperate to make their mark, permanently in debt, falling tumultuously in and out of love. In La bohème, Puccini created painfully true-to-life characters for a work as relevant now as when it was first performed in 1896.
Rossini's retelling of the story of Cinderella dispenses with whimsy and magical intervention to present genuine human predicaments. The dark edges of the story are punctuated throughout with tender emotion and sparkling comedy.
La finta giardiniera is based on Goldoni's play Pamela nubile, itself derived from Richardson's novel Pamela. It was Mozart's eighth stage work and premièred two weeks before his 19th birthday.
During the 1850s, Verdi found himself increasingly drawn to stories of complex, ambiguous outsiders who challenge the limits of society. La traviata tells the story of the courtesan Violetta, a heroine of unprecedented depth and dimension.
Ever since Le nozze di Figaro opened the inaugural Glyndebourne Festival in 1934, the opera has been a signature work of the house. During the course of one mad day, tables are turned and expectations dashed as masters and servants seek to outwit one another.
In 1711, Handel was commissioned to write an Italian opera for the Queen's Theatre in the Haymarket. Arguably as English as it is Italian, Rinaldo displays the influence of British semi-operas like Purcell's King Arthur and plays including Dryden's Amphitryon.
Perhaps the only opera to be inspired by a newspaper cartoon strip, Janáček's The Cunning Little Vixen tells the story life in the forest as it continues its inevitable cycle.
Purcell's intoxicating combination of words and music alternates elements of the plot of A Midsummer Night's Dream with a variety of musical interludes.
Based on the story by Henry James, Britten's opera draws on every nuance of the original’s insidious subtlety, its depiction of a strangely disturbed atmosphere, of hidden horrors and ambiguities.
Among the longest operas performed today, Die Meistersinger von Nürnberg is the only comic opera among Wagner's mature works.
Entwining elements of a number of familiar fairy stories, this opera by the Czech composer Dvořák is both fantastical and painfully human.
The twists and turns of the plot of L'elisir d'amore are dazzlingly delineated by Donizetti in music of delightful invention and at times, true poignancy.